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"I Didn't Learn Shit": Current challenges Facing Art Schools and Inquiry-based Alternative Model Solutions Imagined in Pedagogic Art Projects
Essential Ornaments: The Architecture of Ödön Lechner & The Development of a Magyar Style
Francis Newton Souza: Recognizable Anatomy
To Be Real or Not To Be: The Girl Who Is Contagious
The Art of Censorship in Singapore
Artivism on the Frontera: Cultural Production and Hybrid Borderlands: Society, Economy and Culture on the U.S.-Mexico Border
Chicago Makes Salt
The Trois Grandes Dames of Impressionism: Marie Bracquemond, Berthe Morisot, and Mary Cassatt Conducting their Careers in Nineteenth Century France
Convicted and Redeemed: a Study in Baroque Religious Viewership
Gulam Rasool Santosh: A Lover of the Feminine Divine
H.C. Westermann and the American Absurd
The Great White Silence: A Material-based Ontological View of Art Technologies in Antarctica
Inventing A Future Through History: The Layering of Time at Mildred's Lane
Constructing Identities Online: Examining Amalia Ulman's Excellences & Perfections Series
Architecture as Experience: Haus-Rucker-Co.'s Speculative Objects and Environments, 1968-1972
The Following is a True Story: Fiction, Bunkerization and Cinema in Post-Socialist Albania
Dance of Death: Mavo Artists and the Posture of Play in Modern Tokyo
Leticia Parente: Preformative Experimentations (1975 - 1982)
Cardinal Loop Conference Proposal: A Commitment to Contemporary Cultural Conversation in Chicago
Translation as Relation: Art History Translated into Chinese

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