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Reading Omni: Visuality and Science Popularization in the Magazine of the Future
Place and Process: Conceptual Art in Edmonton, Inuvik, and New York
Park, Protest, and Pop: South Korea's Candlelight Protest of 2016-17
Cecilia Vicuña: Towards a Contemporary Indigenism 1990-2010
Performing Critique: Three Case Studies at the Israeli Pavilion at the Venice Biennale
A Global Nationalism: Designing the Wall & the Integration of the Arts in Brasilia
Constructing Identities Online: Examining Amalia Ulman's Excellences & Perfections Series
Taking Up Space: Investigating Genders Through Formalism in Contemporary and Postminimal Contexts
Work of Art in the Age of Public-Private Partnership
The Art of Eating: An investigation of contemporary artists and designers who critically analyze industrial food, marking their parallels to gastronomic social movements
Small But Ours: Picture Poems and the Czech Interwar Avant-Garde
Dialectics Of The Soviet Avant-Garde In The First Exhibition Of Ukrainian Nonconformist Art
Site & Territory: Anti-colonialism in Jin-me Yoon and Maureen Gruben’s Contributions to LandMarks2017
The Present Process: Deep Lez Processing in the Present in Allyson Mitchell
Injection Versus Extraction: Socially Engaged Art of Contemporary China in Context Transformations
Kurt Schwitters's Late Works in England (1942-1947): Politics of a Dadaist in Exile
Performing Identities in the United States: Tseng Kwong Chi, Nikki S. Lee, and Ming Wong’s Migratory Politics
Creating an Intersectional Chicano Art: The Work of Malaquias Montoya
GURLS and The Internet: Feminine Identity Construction Within The Digital Sphere
Art Without Work: Tehching Hsieh's No Art Piece and the Ethics of Laziness

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