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Accessing Sorrow: The Community Potential of Ragnar Kjartansson’s Durational Performance Works
Dreams of the South: Racial Fantasy in the Plantation Photographs of Clarence John Laughlin
Curation as a Bridge Between Communities. The Claudio Perna: Human Geography Project
Open Doors For International Artists: Life After F-1
Creating an Intersectional Chicano Art: The Work of Malaquias Montoya
ASMR as Self-Care
Making Monsters: Connections, Identity, and Character Creation
Becoming Civic Art Museums: The Emerging Roles Of Departments Of Learning And Public Programs: Three Case Studies Across The United States And Spain
Toward a Critical Mural Pedagogy: Graffiti Pedagogy, Dissensus, and Collaboration in Youth Mural Projects
Participant Voices: Towards an Assessment of Socially Engaged Art
The Present Process: Deep Lez Processing in the Present in Allyson Mitchell
How Did We Get Here? Chinese Contemporary Performance Art in Mainland China Contextualized
Sensualizing The Industrial: Repetition and The Gaze in Sculpture
Black Art Therapists: Using the Internet and Online Media Platforms to Support Community Connection
Small but Mighty: Combating the Affordable Housing Crisis Through Small-Scale Historic Rehabilitation
Stained Truth
Kichiku Culture: Audience As Creators, Creators Of Their Own Realities
Painting Death in Antwerp: 
Depictions of Martyrdoms By Ambrosius Francken I
La concha de tu madre
Nothing Into Something

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