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Radical Exhibiting and the Representation of Solidarity at the 1974 Venice Biennale
Responding to Global Art Worlds: Chinese Cultural Diplomacy in Contemporary Art in the 2000s
Traveling Coordinates: A Case on Developing and Implementing a Dialogical Curatorial Practice in Santander and Norte De Santander, Colombia
Industrial Prayers: Jannis Kounellis and Reconstruction of Italian Identity
Architecture as Experience: Haus-Rucker-Co.'s Speculative Objects and Environments, 1968-1972
H.C. Westermann and the American Absurd
The Current Value of Visitor Research in Museums: An Analysis of the Historical Development of Visitor Research and Its Present Use
The (Re)mediation of Media in the Fae Richards Photo Archive
The Great White Silence: A Material-based Ontological View of Art Technologies in Antarctica
The Dynaton's "New Vision": Possibilities for Abstraction from the Bay Area, 1948-1951
Cardinal Loop Conference Proposal: A Commitment to Contemporary Cultural Conversation in Chicago
The Militourist Image of Diamond Head
Leading America Through Local Modernism: Instituto Nacional de Bellas Artes' (Mexico) Exhibitions and Publications on Architecture, 1950-1952
Maternal Ambivalence and Non-Normative Maternal Desires in Chelsea Knight's 'The Breath We Took,' 2013
Opening the 1980s: Gang
Performing Ethnography: Institutional Critique and Site Specificity in Coco Fusco and Guillermo Gómez-Peña's Two Undiscovered Amerindians Visit the West
More Than a Feeling: Performativity, Sincerity, and Sociality in the Art of the Affective Turn
Marie Watt: Storied Objects
The Strange and Autonomous Gas Station
Twilight on the Roads: The Wagner Drives of David Hockney

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